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      <video:description>Setelah debut di Setan Alas!, film panjang kedua saya, Darah Nyai, membawa tantangan baru yang tidak kalah ekstrem: Waktu dan Skala. Berpindah dari set gerilya ke lanskap produksi Jakarta, proyek ini menuntut kecepatan eksekusi yang brutal. Dengan waktu pra-produksi (prep) hanya 2 minggu dan masa syuting 2 minggu, departemen Art harus berpacu dengan waktu tanpa mengorbankan kualitas visual. Tantangan terbesarnya adalah efisiensi lokasi. Syuting dipusatkan di sebuah rumah besar di kawasan Pantai Indah Kapuk (PIK) 1. Sebagai Art Director, saya dituntut untuk memanipulasi satu bangunan ini menjadi 12 set yang sama sekali berbeda.</video:description>
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      <video:description>Menjadi Art Director untuk debut film panjang Setan Alas! adalah sebuah uji nyali dan kreativitas tingkat tinggi. Dengan budget gerilya, deadline ketat, dan kru yang bekerja dengan ritme &quot;kesetanan&quot;, tantangan utama kami adalah menyulap satu rumah biasa menjadi arena meta-horror yang penuh zombie, rentetan peluru, dan ledakan. 1. Desain Spontan &amp; Manipulasi Ruang (On-the-Fly Set Dressing) Karena cerita terkunci di satu lokasi, kami merespons ruang yang ada &quot;sejadi-jadinya dan setiba-tiba mungkin&quot;. Kami merombak total fungsi ruangan untuk membangun ilusi labirin dan lore misteri. Ruangan kosong secara spontan disulap menjadi ruang rahasia sekte pemujaan yang mencekam, sementara sudut lain dirombak kilat menjadi gudang senjata rahasia. Fleksibilitas set ini sangat krusial untuk menjaga dinamika visual agar penonton tidak bosan. 2. Practical Effects Ekstrem: Ledakan Mesiu Asli Tidak ada ledakan CGI yang murah. Untuk memberikan impact yang otentik dan brutal, semua adegan bom dieksekusi secara praktikal menggunakan bubuk mesiu dan pemantik asli. Sebagai Art Director, saya harus merancang set dan properti di sekitar area ledakan agar aman bagi aktor dan kru, namun tetap hancur dengan dramatis di depan kamera. Ini membutuhkan kalkulasi presisi, keberanian, dan sinergi mutlak dengan tim Special Effects (SFX). Setan Alas! adalah pembuktian bahwa guerilla filmmaking bisa menghasilkan visual yang kaya. Dengan merespons keterbatasan secara brutal—dari merakit set ruangan dadakan hingga menahan napas saat mesiu asli diledakkan—departemen Art berhasil menciptakan atmosfer claustrophobic yang membuat ancaman di dalam film terasa sangat nyata.</video:description>
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      <video:description>SonicFlo adalah proyek musik baru dari musisi kondang Coki Bollemeyer atau yang biasa dikenal sebagai Coki NTRL. Coki menggaet Boyi Tondo (bassis dan vokalis Andra Ramadhan Project) dan pendatang baru Daffa Bagaskara untuk membentuk band yang musiknya beraliran Pop Rock era tahun 80-an. Saya dipercaya untuk menggarap video klip untuk single perdana mereka yang berjudul &quot;Rayu Membiru&quot;. Secara tematis, lagu ini bercerita tentang dinamika hubungan seorang manusia dengan Yang Maha Kuasa. Setelah melakukan proses brainstorming yang menghasilkan beberapa draft cerita, akhirnya lahir lah konsep cerita yang berangkat dari kata kunci &quot;mengejar&quot;. Berdasarkan diskusi saya dengan Boyi Tondo (bassis dan penulis liriknya), saya menginterpretasikan tema lagu ini sebagai cerminan dari proses manusia yang kerap mencari tanda atau mengejar jawaban dari Yang Maha Esa atas segala pergumulan yang dihadapi dalam kehidupannya. Proses tersebut saya visualisasikan dengan cara mempersonifikasi entitas Ketuhanan yang di dalam sepanjang cerita, secara halus muncul secara misterius untuk &quot;merayu&quot; sang protagonis yang diperankan oleh Daffa (vokalis). Selain sebagai sutradara, saya juga bertugas untuk menjadi Offline Editor yang menyunting klip ini sebelum di-color grading.</video:description>
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